Spring 2013

Fiction

• Kevin Curran - ‘Beatsploitation (An Extract)’
• Nora Pyne - ‘Jeopardy’
• Deirdre Gleeson - ‘The Story of Dahnash and Ma’aruf’
• Michael J. Farrell - ‘À la Descartes’
• Claire-Louise Bennett - ‘A Little Before Seven’

Poetry

• Kimberly Campanello - ‘Strange Country’
• Kerry Hardie - ‘After You Died’
• Cheryl Donahue - ‘ICU’
• Adam Crothers - ‘The Art of the Poetic Line’
• Sinéad Morrissey - ‘Signatures’
• Mary Noonan - ‘Gare du Nord’
• Patrick FitzSymons - ‘Watertight’
• C.K. Stead - ‘Saluti’
• C.K. Stead - ‘Look Who’s Talking’
• Grace Wells - ‘Poem for Tennessee Williams’
• Diarmuid Fitzgerald - ‘Since 10 o’clock’
• Noel Monahan - ‘Golden Plover’
• Pascale Petit - ‘Fauverie (III)’
• Pascale Petit - ‘My Mother’s Salmon Skin Nightdress’
• Sarah Clancy - ‘Doppelganger’

Featured Poet

• Clare McCotter - ‘For Your Secrets’
• Clare McCotter - ‘The Emerald Swallow’
• Clare McCotter - ‘In The Field Of Shells’
• Clare McCotter - ‘Wind Flower’
• Clare McCotter - ‘The Dead Blue Tit’

Re:fresh

• Michael G. Cronin - ‘‘The Parts’, by Keith Ridgway & ‘The First Verse’, by Barry McCrea’

Criticism

• Deborah Levy: Black Vodka / Swimming Home, reviewed by Kevin Breathnach
• Peter Murphy: Shall We Gather at the River, reviewed by Darran Anderson
• Frederick Seidel: Nice Weather, reviewed by Paul Perry
• Ali Smith: Artful, reviewed by Luna Dolezal
• Kerrie Hardie / Frank Ormsby: The Ash and the Oak and the Wild Cherry Tree / Fireflies, reviewed by Gerard Smyth