Fiction
- Deborah Rose Reeves - ‘Lay Down The Dark Layers’
- Hugh Fulham-McQuillan - ‘Notes on Jackson and His Dead’
- Andrew Fox - ‘Strong’
- Oliver Farry - ‘Trolleyboy’
- Claire-Louise Bennett - ‘Finishing Touch’
- Frank Schulz - ‘Bittersweet Nightshade’
- Michael Magee - ‘Bottles’
- Cathy Sweeney - ‘Tales of our Time’
- John Siberry - ‘The Price of Flowers’
Poetry
- Esther Waters - ‘The Morning After’
- Ron Butlin - ‘The Electric City Of Heck’
- Máirtín Coilféir - ‘Codladh’
- Matthew Geden - ‘Night Watch’
- Erin Fornoff - ‘Hymn to the Reckless’
- Bridget Sprouls - ‘Mouth’
- Jillian Kring - ‘Breadwinners’
- Jillian Kring - ‘The Quiet Entanglement’
- Grace Wells - ‘Autumn’
- Natalie Holborow - ‘First Kiss’
- Roderick Ford - ‘Jessica’
- Roderick Ford - ‘Milf’
- Anne Elvey - ‘A you I speak to’
Featured Poet
Criticism
- Madeleine D'Arcy: Waiting For The Bullet, reviewed by Danielle McLaughlin
- Vona Groarke: X, reviewed by Ailbhe Darcy
- Andrés Neuman / Roberto Bolaño: Talking to Ourselves / The Insufferable Gaucho, reviewed by Jessica Johannesson Gaitán
- Ali Smith: How To Be Both, reviewed by Lily Ní Dhomhnaill